Here’s my thesis: the Loire Valley is
the most underappreciated great wine region in the world.
The Loire is one of the longest rivers
in France, and along its banks are a great collection of fairy-tale castles –
and a host of different terroirs. Apart
from Italy, it’s hard to think of many wine-growing areas anywhere in the world
where there is more native diversity in both the land and the grapes. The Loire is a vinous garden, and the wines
that are made here are marked by a distinctive grace.
So why are they largely ignored? Think about it: when someone mentions French
wines, the regions that come immediately to mind are Burgundy, Bordeaux and the
Rhone Valley. Among those who love
food-friendly wines, sometimes Alsace will be part of the conversation. Trendy wine lovers will cite the
Languedoc. The Loire is, comparatively
speaking, the poor step-child. Only real
wine aficionados pay attention. And
that’s why this is the latest stop for The Vinous Voyager.
Readers following the Voyager have
probably figured out by now that I’m a fan of wines with class and
subtlety. If I wanted to be hit over the
head by a beverage, I’d be drinking something other than wine. And of course it goes without saying that
wine is, 90% of the time, meant to go with food. Among the cognoscenti, Loire wines have a
good reputation on both counts.
Even so, I approached the project of
tasting Loire wines with a bit of trepidation.
Would they be weedy, thin, emaciated little bottles? Would they pale in comparison with wines of
the more modern, fruit-forward style? I
needn’t have worried. Not a bad wine in
the bunch, and some extraordinary tasting experiences.
A Loire Sampler
We referred earlier to the length of the
Loire. It runs 1012 kilometers (629
miles), and along its length are at least nine major growing areas: Muscadet,
Anjou, Saumur, Chinon, Bourgueil, Vouvray, Cheverny, Sancerre and
Pouilly-Fume. Major grapes include
Sauvignon Blanc (Sancerre and Pouilly Fume, and also Cheverny – where there is
typically a small dollop of Chardonnay added), Chenin Blanc (Vouvray), Cabernet
Franc (Saumur, Chinon and Bourgueil), and Melon de Bourgogne (Muscadet);
Cabernet Sauvignon even makes an appearance in Anjou.
I originally picked six wines from this
amazing region, hoping to find food-friendly wines with real grace. Four were outstanding, and two very good. They were so good that I sought out a seventh
bottle (the Domaine de la Chanteleuserie from Bourgueil), and it was also
excellent. Suffice is to say that the
Loire Valley has moved to near the top of my list for future travel
destinations.

2011
Les Pensées de Pallus (Chinon, France): Medium plum.
Expressive nose that evolved wonderfully in the glass. Sour cherries were the biggest component at
first, and remained throughout – but soon, there were deeply earthy elements,
followed by rhubarb, coffee, violets and hints of tobacco. So the real issue comes down to the palate,
and this is where American consumers approaching Cabernet Franc will need to
adjust their perspective in order to fully appreciate this wine. This is a bottling that most American critics
would describe as “thin.” It was a great
and wonderful thing that, following the so-called “Judgment of Paris” in 1976 (see
below), American vintners led the world to a greater understanding of the
possibilities of ripeness for wine. It’s
pretty certain, however, that everyone got carried away by this concept; lots
of wines became overwhelmed by fruit that carried ripeness to such an extent
that wines became monstrous in their dimensions, and no longer served as an
accompaniment to food – which, in the eyes of the Voyager, is wine’s greatest
purpose in life. This is a wine with
fairly soft tannins, a lighter color than we have grown accustomed to in this
era of high extraction (see below),
and is quite simply a more subtle animal than we normally expect. Even I might wish that this had a bit more
body -- but you could have a glass or two of this wine with lunch and still
have a reasonably productive afternoon in the office, or enjoy sight-seeing on
vacation without face-planting somewhere at 3:00 p.m. Although 2011 was not a truly great vintage
for Loire reds, this wine represents many of the things that this grape does
well. It’s sophisticated, and has real
class. It also represents a huge debate
in the world of wine within the space of one bottle. *** ½ - ****

2013
Les Varennes du Clos Sancerre (France): Most New World Sauvignon Blancs are very
pale; this has a much richer green/gold color.
The nose is shy at first, with Granny Smith apples and hay, with some
grapefruit notes way in the back. The
grapefruit comes to the fore with air, along with some baked pear aromas. Rounder than New Zealand Sauvignon Blancs on
the palate, with none of the typical NZ tropical fruit flavors. This is deeper, richer, and much more
refined. Some sweet fruit on the attack,
giving way to a pleasant grassiness on the finish. Much more texture and body than similar wines
from New Zealand or California, yet it remains very light on its feet. You will hear this from the Voyager so many
times: balance is what separates the best wines from the also-rans, and this
has balance aplenty. So rich, and only
12.5% ABV (alcohol by volume). Not a
great match with salmon, which brought out a slight tinny note and some aggressive
salinity. Much happier with orzo pasta
and mixed vegetables. I can imagine this
pairing nicely when served with chicken in a mushroom and cream sauce – or
simplify your life and just pour this with a good artisanal bread. NZ Sauvignon Blancs, with their stronger
fruit attributes, certainly have a place in the world, and the Voyager has
enjoyed them on many occasions. That
being said, I could definitely get used to drinking Sancerre on a regular basis
if only it wasn’t typically a little steep in price (often $25 - $35). Happily, I picked this up for $18.98, and
it’s a superb value at that price. ****
- ****1/2

2012
Domaine Pierre de La Grange Muscadet (Sevre et Maine, Loire Valley, France): Distinct greenish hue. Grown near the mouth of the Loire, you can
absolutely detect the scent of sea breezes on the nose, along with melon,
tropical fruits and definite mineral notes.
After two hours of air, a mince/pumpkin pie aroma emerged. Very crisp and refreshing. A perfect summer quaffer on its own, or try
it with peeled shrimp with a spritz of lemon.
***

2012
La Vigne Des Sablons Vouvray (Loire Valley, France): Medium yellow/gold. Honey and wildflowers on the nose, with some
freshly-mown hay and even a touch of minerality underneath. Honey on the attack, sweet fruit stays
through the mid-palate, and then gives way to the faintest trace of grapefruit
on the finish, which is fairly long. I
freely admit that I’m still experimenting as far as matching Vouvray with food;
on this occasion, I gambled a bit and tried it with a medium-spicy Indian dish
– chicken with biryani rice. It worked
rather well; not, perhaps, the seamless match that a dry Riesling might have
been, as the wine was actually a trifle more powerful than the food – but
still, it worked. There is almost always
a touch of sweetness with young Vouvray; more mature bottles seem to become
drier, “eating their sugar” with age.
The fact that I don’t really mind this slightly sweet aspect marks one
of the ways in which my tastes have changed over the years. This is a very nice wine. ***1/2

2012
Domaine du Salvard Cheverny (Loire Valley, France):
Pale gold; the gold is attributable, I suspect, to the 15% of this wine that is
Chardonnay, which is otherwise dedicated to Sauvignon Blanc. Definite grassiness on the nose – almost New
Zealand in character. The aromas are a
bit shy for now. Tropical fruits comes
forth as the wine gets a bit of air.
Nice, crisp acidity – all Sauvignon Blanc here, with no trace of
Chardonnay on the palate. A good match
for food – in this case, some mildly-spiced Tandoori chicken with western
veggies. Pleasant, and, as an English
wine writer might put it, “more-ish.”
***

2012
Domaine de la Chanteleuserie Bourgueil (Chinon, France): Medium plum. Often, critics refer to certain wines as
“perfumed.” Well, this surely fits in
that category. Big aromas of cherries
(on the sweeter side here), and wildflowers.
Deeply earthy scents underneath.
With air, some vanilla and mulberry notes, as well as Asian spices, make
themselves known. Crisp acidity. Dried cherry flavors on the palate, with some
mineral elements as well. Cola notes on
a nice, long finish. Another positive
statement on behalf of the elegance of Cabernet Franc. ***1/2 - ****
2012
Alexandre Monmousseau Clos de Vigneau Vouvray (Loire Valley, France):
Rich golden color. Bring the glass to your nose and it’s like
walking into a mountain meadow that’s teeming with wildflowers – especially huge
honeysuckle scents. There’s also a
steely minerality in the background, and, with air, some hints of Golden
Delicious apples. Taken together, this
wine has a fabulous bouquet. Then we get
to the texture, which is a mix of satin, cream and velvet. Add in the fact that it’s a lovely match with
food (I tried this with both salmon sushi and curried chicken), and you have
something very special indeed. Sweetness
on the attack, but the long finish has a drier aspect. Superb.
****1/2; give it a decade of bottle age and you might have a five-star
wine.
The
Judgment of Paris: In 1976, English wine critic and
merchant Steven Spurrier hosted a competition in which he pitted several of the
top-ranked French wines from Bordeaux and Burgundy against their rivals from
the finest wine-growing regions in California.
The wines were judged by some of the best-known French wine critics of the
day, and were served blind – i.e.,
the judges sampled the wines without knowing the producer, or where they were
from. Everyone expected bottles from the
French vintners to blow the American wines out of the water – but the opposite
turned out to be the case. The
California wines came out on top in this particular test. The ultimate result of the tasting was not so
much to prove that California wines were better than those from France – but
rather that the world of wine was wider than anyone had previously thought, and
that wines from the New World deserved consideration as among the elite. Subsequently, wine critics began to pay
serious attention to bottles from around the globe, and winemakers from all
over the earth began to learn from one another.
Now, we take for granted the idea that good wine is grown all over the
planet, but before 1976, this wasn’t so apparent. Those of us who love the endless variety
available to us on the shelves of wine merchants owe a huge debt to Steven Spurrier,
who truly changed the vinous world forever.
If you’re interested in learning more from Spurrier, see his monthly
column in the outstanding UK wine magazine Decanter.
Wine
Word of the Day: Extraction: During fermentation, the skins of crushed
grapes spends time with the juice of the grapes in a process called maceration. Wine gets its color and tannin from this
contact with the grape skins. Some
vintners wish to extract every bit of color, tannin and flavor, and thus leave
the skins in the fermentation vats for a longer period of time. The skins naturally float to the top of the
fermenting grape juice (a/k/a “must”), and form what is called the cap.
Some vintners punch down the cap, either manually, or using a wooden or
metal lattice, to submerge the cap into the must. So extracting all those qualities is a good
idea, right? Well, sometimes – but it’s
also possible to get too much of a good thing, especially tannin. Occasionally, winemakers get carried away,
and by over-extracting, produce wines that are unbalanced and
heavy-handed.